Yesterday I spent the day at Printed Matter’s LA Art Book Fair at the Geffen Contemporary at MOCA. Here are some of the books and ephemera I brought home:
Books and ephemera from the LA Art Book Fair, 2014*
If you have a chance, get down there to see it tonight or tomorrow! The Fair is full of creative energy with visual and tactile excitement. This isn’t a fair of stodgy conservative expensive fine editions, although there are a few example of that. This fair celebrates the creative adventure of making books and shows the work of first-time as well as seasoned publishers.
Over 200 exhibitors show off their books, zines, posters, wall paper and ephemera. Artists and produces are there at the tables. With your attention focused in the strange and exciting world of an artist book, or engaged in conversation with a creator, you’ll emerge refreshed by the vitatlity of the book arts!
*Books and ephemera including clockwise from bottom Beautiful Monsters: Paper cuttings by Jad Fair produced by Knust/Extrapool; Otis Books catalog by Rebecca Chamlee; Mahmoud Darwish: Once poemas produced by crc (Casa Refugio Citalaltépetl); Venice Beach Biannual 2012 by Lisa Anne Auerbach, Robby Herbst, Kimberly Varella; Everything Sings: Maps for a Narrative Atlas by Denis Wood produced by Siglio Press. NIH NIH by Miniature Garden (Jamie Stewart, Denise Schatz, Casey Cook)
I was just asked about book design titles. Here are some that have stayed close to my desk:
Everything you need to know is in this book. This book is beautifully designed and printed. The books have a ribbon bookmark. Mine is set on the spread of ratios. At one time I worked through the math and proportions for every book I designed. Eventually, I had a body of experience that I could refer to — templates, notes, and printed results of my efforts. At this point, amazingly enough, some of it now part of my own body. That is, I can amaze myself by drawing boxes or choosing positions on the page that turn out to be in proportion if I check the math. I’ve absorbed the aesthetic.
This great book appears to be out of print. I have a copy that was issued by Chronicle Books in 1993. The process and methods in the book are pre-desktop computing. The book is richly illustrated with examples of book design from the 1960. Adrian Wilson worked at a time when comping was done by hand and the designer communicated their vision to various craftspeople who worked in other buildings or other towns. Those methods enforced a clarity of vision that we do not need in a world where we can create a visual faster than we can imagine it. Covers type, papers, binding, boxes for limited editions — I return to this book again and again for inspiration.
This one is out of print too. Guess that says a lot right there. This collection of essays covers typography and the materials of book production. I have a flag on the page about footnotes. Between Bringhurst and Tschichold, you can learn everything you need about setting beautiful type